Moderator: EMG
wdbames wrote:My understanding is that Binaurals are a method to put Your mind into
a hyppnotically receptive state. Under Hypnosis You are in what is called a theta state. Brainwaves from 4 to 8 Hz, Lower frequency being deeper in trance. You can't just produce a 4Hz tone, because it is too low a frequency for the ear to hear. The solution? Produce higher tones, but make the left ear and right ear hear the same tone with a 4Hz offset.
It turns out You can take the spoken audio, make it stereo if it isn't already, and raise or lower the frequency of the audio in one channel
by 4Hz, then Output the whole thing as an MP3 Audio file. The result is that it fools Your brain into thinking it is recieving a 4Hz tone, and the brainwaves fall into step with that tone.
The final effect being, of course, that You fall into trance more easily.
dgrade wrote:wdbames wrote:My understanding is that Binaurals are a method to put Your mind into
a hyppnotically receptive state. Under Hypnosis You are in what is called a theta state. Brainwaves from 4 to 8 Hz, Lower frequency being deeper in trance. You can't just produce a 4Hz tone, because it is too low a frequency for the ear to hear. The solution? Produce higher tones, but make the left ear and right ear hear the same tone with a 4Hz offset.
It turns out You can take the spoken audio, make it stereo if it isn't already, and raise or lower the frequency of the audio in one channel
by 4Hz, then Output the whole thing as an MP3 Audio file. The result is that it fools Your brain into thinking it is recieving a 4Hz tone, and the brainwaves fall into step with that tone.
The final effect being, of course, that You fall into trance more easily.
I under the basic theory behind Brain Entertainment, and have experienced some impressive results with BrainWave Generator.
Can you provide further specific details on editing the files?
Here is what I've done in my own tinkering. Using Adobe Audition I open one of EMG's files. I select all of the right channel and go to Effects > Time/Pitch > Pitch Correction. Using the Left channel as a refrence I change the calibration of the Right channel to be 10hz higher than the left.
The result is pretty bizarre to hear a voice in the Binaurual patern I am more used to hearing beats in. It's a little disorienting and caused mild vertigo when I stopped listening.
Perhaps you could walk us through how you do it and with your program of choice. With EMG's invitation to extend a 1 month free premium membership to people making binurals I'm sure there are a few of us with the exsisting skill sets to help.
davelowe1977 wrote:
I apologise if I mis-understood but there is a simple solution. Obtain :wink: Cool Edit Pro 2000. It has a built in brainwave synchronizer. You just open a file, select 8Hz and presto all done!
dgrade wrote:
One thing that is important to remember though is if you're saving your work in MP3 format do not let your encoder save it in "Joint Stereo" or (J-Stereo) as that completely blows the whole point. Also if you have 5.1 Stereo Headset make sure you set your sound card to only output 2/2.1 while you're listening to any binaural (for Creative soundcards you must use the Creative Audio Console, not the Windows Sound manager).
davelowe1977 wrote:dgrade wrote:
One thing that is important to remember though is if you're saving your work in MP3 format do not let your encoder save it in "Joint Stereo" or (J-Stereo) as that completely blows the whole point. Also if you have 5.1 Stereo Headset make sure you set your sound card to only output 2/2.1 while you're listening to any binaural (for Creative soundcards you must use the Creative Audio Console, not the Windows Sound manager).
That is an interesting and very true point. In my mind it opens a can of worms about the effectiveness of all the subliminal files.
Quick revision: topic file compression (for the non-techies!):
mp3 format is a lossy type of file compression. One of the ways this works is to eliminate sounds that cannot be heard by the (conscious) mind, methodologies include 'masking' etc. Masking occurs when a loud sound at one frequency masks a quieter one at a slightly different frequency so they are not included in the file. The file sounds identical to a non compressed format (ie .wav) on commercial tracks. zip files by contrast offer less compression (bigger files) but is loss-less (ie the full content can be completely re-assembled during de-compression). End of technical advice.
Now to the point. If the techniques employed in mp3 compression (such as masking) mask the sound of the voice in a subliminal (by using white (broad frequency noise), can we expect them to work? There are several answers: yes, no or maybe. A full scale scientific trial would answer this question, but in lieu of more informed advice, we are not likely to find an answer unless we undertake a study or employ expert advice. One answer might be to use noise at a suitable sound level but excluding frequencies that are essential to vocal communication (similar to telephone limitations). Another answer might be to distribute the subliminals in a zipped .wav format. Maybe the subconscious fills in the gaps in the missing sound (I doubt this). My only goal in discussing this subject is to improve the effectiveness of the subliminals if this even needs to be done. Maybe this lossy effect helps the subliminals (again doubt) Either way, I salute the efforts of EMG and jerm et al in making these files and can only hope my thoughts will help.
I open the floor to discussion!
----- Dave (part time audio engineer)
wdbames wrote:We're straying off the subject of binaurals, however I concede the possibility that subliminals could become a problem in MP3 at too low of a bitrate. I see two possible approaches:
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