by Calimore » January 21st, 2009, 8:36 am
Well, Pete, when I started out, I used a steady 5.5 Hz beat throughout the files I used, but I soon adopted some entrainment techniques to better allow the listener to be 'taken down' and 'brought back up'.
What I would suggest is that you start the entrainment process, at the beginning of the file, between 12-18 Hz, gradually taking the listener down to the theta range over the course of 1/\[url=(https?:\/\/[^\s\[]+):$uid\](.*?)\[\/url:$uid\]/i-2/\[url=(https?:\/\/[^\s\[]+):$uid\](.*?)\[\/url:$uid\]/i minutes, then bring the listener back up to 1/\[url=(https?:\/\/[^\s\[]+):$uid\](.*?)\[\/url:$uid\]/i-12 Hz over the last few minutes, at the end. Set your effect percentages low for the higher frequencies (no more than 2/\[url=(https?:\/\/[^\s\[]+):$uid\](.*?)\[\/url:$uid\]/i% for 15 Hz and up) and higher for the lower frequencies (like, 6/\[url=(https?:\/\/[^\s\[]+):$uid\](.*?)\[\/url:$uid\]/i% for 4 Hz).
My best advice: take your time and have fun with it - experiment and see what sounds best to you. Remember, no matter how well an added effect seems to work in a file, if it doesn't sound good, no one is going to want to listen to it. ;)
Last edited by
Calimore on February 24th, 2009, 4:14 pm, edited 1 time in total.
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