by Feverdream » July 27th, 2017, 8:25 pm
This is interesting.
Not all poetry is based on rhyming of course. That is what English speakers usually think of as poems, but poetry is really just a formulaic, structured kind of thought. Structuring thought is very much what we do when we induce hypnosis. Tracking the patterns is a good way to lure a mind into the state of focused distraction that is trance. Like eyes watching a swinging pendulum, a mind listening to a metronomic pattern of stressed syllables, or seeking to predict the upcoming rhymes, is a mind that is susceptible to suggestion.
Back to the idea I started with... regarding rhyming being only one way to impose structure and order upon a poem, but it not being the only way. Rhyming is actually quite fragile as a poetry technique... it doesn't translate well from language to language. Other patterns that hold together poetry, patterns based on the content of the lines, tends to hold up better.
Many religious scriptures (and other writings) from the ancient fertile crescent area have a hypnotic effect when read aloud, due to a pattern common to poetry written in the Semetic languages. Instead of hanging together based upon rhyme, they use a repetition of ideas. The same thought is restated, usually twice, but sometimes in a long stream of re-iterations. Sometimes, the thought is a little different each time, but still related enough to build a structure. The phenomenon is called parallelism. So, there are passages in the Old Testament, especially song like books like Song of Soloman and Psalms, which can be very trance inducing when read aloud, in the right cadence.
"But let judgment run down as waters,
and righteousness as a mighty stream."
"Set me as a seal upon your heart,
as a seal upon your arm:
for love is strong as death; and
jealousy as cruel as the grave:
the coals of love burn with fire,
they burn with an all-consuming flame.
Many waters cannot quench love,
neither can the floods drown it:
if a man tried to buy love with all his riches,
such an offer would be utterly scorned.
Unfortunately, some of the nuance is still lost, due to loss of word play and puns that were clear in the original.
Though I don't write my scripts as poems, at the best of times, I'm definitely using these ideas of embedding deep structure in the work, and that does come from a familiarity with writing poems in various styles.
I'm glad to be reminded of this, because I am wanting to write a script that draws imagery from Sumerian poems and related myths that I rather love, and it will be good to go back and read those poems, to let them take me into their rhythms, so that I can translate their essence into what I hope to make.